When I was in college we learned about art criticism using these five emphatic dramatic values, interpreted from Aristotle’s writing in his Poetics, where he discussed poetry, theater, and music. He wrote of six values, including one called “melos” or melody relating to the Chorus that was so important a part of Ancient Greek Theater.
His belief was that art works contained all of the values in different degrees of balance, but that especially for Tragedy Plot was most important followed by Character. He placed Spectacle at the end of the list. Rather than assign a judgement to the relative importance of each Value, I prefer to use them as tools that help me to understand a work as a whole, including defining genre. It is how the Values interact that ends up defining the worth of an undertaking or project.
In looking at each of these values, rather like the Elements of Design, it’s useful to consider the Principles of Design in reference to them – Balance, Unity, Progression, Symmetry, Contrast, Harmony, Dominance, Repetition. Each can apply within a value, as well as how the values relate to each other.
In no particular order the Values are:
The Values are so interesting to use for dissecting and understanding all kinds of works of art – and they work especially well when examining or critquing film.
Under the banner of spectacle – the visceral enjoyment of action, the art direction, the emotional sweep of music.
The plot or story – how the narrative engages us, perhaps surprises. Twists and turns, or a logical progression.
Language – how words are used. Simple or rich and melodic. The importance of dialect. How language reflects time as well as place. Poets focus on this value. Shakespeare emphasized language, by intentionally using Iambic Pentameter.
Character – the participants of the story, their motives, their history, their interactions. How we identify with them, or not. Portrait painters investigate character.
Theme – the meaning and importance of a piece. The moral of the story, or the absence of a moral.
The Values as Inspiration
As an artist moving forward with intentional design, it is just as important to be aware of the Values as it is to be aware of the Elements of Design. Much of this is obvious in considering screenwriting – but there are equivalents in all kinds of artistic endeavor. For example, consider the “Grammar of Ornament” by Owen Jones – elucidating the language of visual design.
Sometimes the values are easier to see in failure. I’m sure we are all familiar with a movie that is all spectacle (eg special fx) without much substance or story, or books where the author is so involved with his own use of esoteric language that the characters are unknowable.
Personally I don’t enjoy atonal music. It seems to me it all about using the stripped back language of music, with mathematical precision as the overriding theme, at the expense of the spectacle of an emotional range or any story. It doesn’t take me anywhere, but I know other people love it.
Sometimes a piece isn’t working out, but we can’t put our finger on what’s wrong. Examining the Emphatic Values might winkle out the problem.
In planning your project, you can list the Values and plan how you will realize each, as well as determine the emphasis of each one.
- How will you incorporate or show each Value?
- How will this affect the other four values?
- Will this make the piece feel unbalanced?
- Is it worth it for the pay off for the audience/reader anyway?
Here’s an exercise:
Take a simple, familiar personal story, such as a family memory or recent event. Maybe it’s the same old story that your Uncle trots out at every Thanksgiving dinner that starts with “Remember when…” Maybe it’s a story that you haven’t thought to retell – how you met your beloved, or how you chose your pet, or the time when something different happened at a familiar place.
What happened? Consider how it might be told with each of the Values emphasized, and played with. If you normally tell it in straightforward prose, try turning it into poetry, or a series of single emotive words. Draw it, collage it. What if it were told like an action sequence in a movie? what if the setting were described or illustrated in great detail? What if it were seen as illuminating the character of each participant in turn? If you were to set each moment to music, what would you choose? Now choose something entirely different. Instead of telling the story, show how the story illuminates your family values or philosophy.
It’s not a short exercise, is it? But it could be a valuable one. You might come out with any number of different art or written pieces just from one event. You might gain new insights to your own reactions, or to how other people might be experiencing the same event.
Let me know in the comments if any of you choose to take this on. I’d love to see the results. Remember to follow me on Twitter!
— Robyn L. Coburn (@IggyJingles) August 27, 2013
— Robyn L. Coburn (@IggyJingles) August 28, 2013
— Robyn L. Coburn (@IggyJingles) August 29, 2013
— Robyn L. Coburn (@IggyJingles) August 29, 2013
— Robyn L. Coburn (@IggyJingles) August 30, 2013
— Robyn L. Coburn (@IggyJingles) August 31, 2013
— Robyn L. Coburn (@IggyJingles) September 1, 2013